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Samuel Ricke

Requiem in D Minor, K. 626, III. Sequentia: Confutatis By W. A. Mozart

Samuel Ricke

2:27	Est. Play Time
40	Measures
	1,430Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.	30	1	15	4	100%
Violino II.	25	1	14	4	100%
View all 15 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.	30	1	15	4	100%
Violino II.	25	1	14	4	100%
Violoncello, Basso ed Organo.	33	0	12	4	86%
Viola.	25	0	14	4	80%
Fagotti.	22	15	11	7	78%
Alto.	13	0	5	5	77%
Soprano.	14	0	4	4	77%
Organ	31	22	15	6	76%
Trombone alto ed tenore.	16	0	8	7	76%
Trombone basso.	18	0	5	5	76%
Basso.	19	0	6	6	71%
Corni di Bassetto in F.	13	9	5	3	69%
Tenore.	17	0	8	7	68%
Trombe in D.	6	4	0	1	53%
Timpani in D.A.	4	0	0	1	51%

Fugue in E Minor, BWV 914, By Johann Sebastian Bach

Samuel Ricke

2:50	Est. Play Time
72	Measures
	1,430Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Grand Piano		33	3	13	5	92%
		27	1	9	5	74%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Grand Piano		33	3	13	5	92%
		27	1	9	5	74%

Requiem in D Minor, K. 626, III. Sequentia: Tuba Mirum By W. A. Mozart

Samuel Ricke

3:08	Est. Play Time
62	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello ed Basso.	32	0	11	6	96%
Viola.	19	7	6	5	92%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello ed Basso.	32	0	11	6	96%
Viola.	19	7	6	5	92%
Violino I.	28	1	11	5	92%
Violino II.	20	2	6	5	92%
Tenore solo.	12	0	5	7	44%
Trombone tenore solo.	18	0	6	6	44%
Basso solo.	18	0	5	8	40%
Soprano solo.	9	0	2	6	32%
Alto solo.	12	0	4	7	27%
Corni di Bassetto in F.	14	0	4	4	27%
Fagotto.	15	11	5	5	23%

Requiem in D Minor, K. 626, III. Sequentia: Rex Tremendae By W. A. Mozart

Samuel Ricke

2:26	Est. Play Time
22	Measures
	1,069Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	42	60	13	8	100%
Viola.	21	1	7	5	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	42	60	13	8	100%
Viola.	21	1	7	5	100%
Violino I.	25	4	6	5	100%
Violino II.	24	4	7	5	100%
Violoncello, Basso ed Organo.	34	0	11	6	100%
Trombone I.	11	0	2	8	88%
Trombone II.	13	0	3	5	88%
Trombone III.	14	0	2	8	88%
Alto.	10	0	2	9	86%
Basso.	13	0	2	8	86%
Soprano.	12	0	3	8	86%
Tenore.	11	0	3	8	86%
Corni di Bassetto in F.	16	1	4	8	78%
Fagotti.	18	0	5	8	75%
Timpani in D.A.	4	0	0	6	48%
Trombe in D.	4	3	0	6	42%

Mozart: Symphony No. 40 in G Minor, K. 550: III. "Allegretto"

Samuel Ricke

4:41	Est. Play Time
88	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboi.	22	19	7	4	79%
	22	23	7	4	86%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboi.	22	19	7	4	79%
	22	23	7	4	86%
Flauto.	22	0	8	3	79%
Fagotti.	26	16	11	4	78%
Violino I.	22	0	7	4	75%
Contrabasso.	23	0	8	4	73%
Violoncello.	23	0	8	4	73%
Violino II.	26	2	7	4	73%
Viola.	20	3	6	3	67%
Clarinetti in B.	21	11	7	4	65%
Corni in G.	10	12	0	4	52%

Requiem in D Minor, K. 626, VII. Agnus Dei By W. A. Mozart

Samuel Ricke

2:56	Est. Play Time
51	Measures
	1,046Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasso	18	0	6	3	94%
Violino I	29	2	10	6	94%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasso	18	0	6	3	94%
Violino I	29	2	10	6	94%
Violoncello	18	0	6	3	94%
Viola	17	8	6	4	92%
Violino II	30	2	11	5	92%
Soprano	16	0	4	4	88%
Alto	14	0	5	4	84%
Basso	18	0	6	4	84%
Tenore	15	0	5	4	84%
Corni di Bassetto	20	0	6	6	73%
Fagotti	25	8	9	4	71%
Organo	20	32	9	4	69%
	16	2	6	3	69%
Trombone Alto	8	0	3	3	53%
Trombone Basso	13	0	5	3	53%
Trombone tenore	8	0	2	3	53%
Trombe in D	5	2	0	4	17%
Timpani in D, A	2	0	0	4	14%

Mozart: Adagio and Fugue For Strings in C Minor, K. 546

Samuel Ricke

8:03	Est. Play Time
171	Measures
	1,390Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	26	2	12	10	94%
Violins	33	6	14	9	89%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	26	2	12	10	94%
Violins	33	6	14	9	89%
	27	4	13	8	92%
Violas	23	3	9	10	92%

Michael Haydn: Requiem in C Moll (pro defuncto Archiepiscopo Sigismundo), MH 155 - I: Requiem et Kyrie

Samuel Ricke

6:41	Est. Play Time
70	Measures
	2,953Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	20	78	8	8	100%
	22	0	8	5	100%
View all 21 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	20	78	8	8	100%
	22	0	8	5	100%
Bassi ed Organo.	22	1	8	5	100%
Contrabasso.	22	1	8	5	100%
Fagotto.	22	1	8	5	100%
Violino II.	29	0	10	8	100%
Violino I.	29	0	10	9	99%
Alto.	10	0	2	4	7%
	14	0	5	7	80%
Soprano.	16	0	5	9	76%
	6	0	1	4	4%
Trombone I.	13	0	4	7	74%
Basso.	3	0	1	3	4%
	17	0	7	8	73%
Tenore.	8	0	2	4	7%
	13	0	3	7	70%
Clarini in C.	8	8	1	6	70%
Trombone III.	17	0	7	8	67%
Trombone II.	13	0	3	7	64%
Trombe in C.	4	2	0	5	55%
Timpani in C.G.	3	0	0	5	49%

Mozart: "Maurerische Trauermusik", K. 477

Samuel Ricke

3:36	Est. Play Time
69	Measures
	1,115Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboi	22	34	7	6	92%
Violino I.	28	1	10	12	90%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboi	22	34	7	6	92%
Violino I.	28	1	10	12	90%
Contrabasso	19	0	6	6	88%
Violoncello.	19	0	6	6	88%
Violino II.	19	12	7	9	87%
Viola.	21	16	7	7	87%
Clarinetti in B.	11	0	0	5	75%
Corni di Bassetto.	7	0	0	6	72%
	19	0	5	7	71%
	16	0	4	7	72%
Corno in E.	10	0	0	6	72%
Granfagotto.	15	0	3	7	68%
Corno in C.	6	0	0	6	58%

Mozart: Symphony No. 39 in E♭ Major, K. 543: III. Menuetto "Allegretto"

Samuel Ricke

3:05	Est. Play Time
68	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.	24	4	6	4	100%
Violino II.	23	2	5	4	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.	24	4	6	4	100%
Violino II.	23	2	5	4	100%
Basso.	15	0	1	3	96%
Violoncello.	15	0	1	3	96%
Viola.	16	0	3	4	96%
Clarinetti in B.	19	18	1	4	80%
Fagotti.	13	11	0	3	64%
Flauto.	11	0	0	4	62%
Corni in Es.	8	8	0	3	57%
Trombe in Es.	5	4	0	2	38%
Timpani in Es.B.	2	0	0	1	35%

Mozart: Symphony No. 39 in E♭ Major, K. 543: II. "Andante con moto"

Samuel Ricke

18:36	Est. Play Time
161	Measures
	2,004Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	24	0	9	7	95%
Violino II.	24	12	10	9	93%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	24	0	9	7	95%
Violino II.	24	12	10	9	93%
Viola.	24	8	8	8	92%
Violino I.	32	2	17	11	89%
Basso.	24	0	9	6	76%
Fagotti.	23	34	9	8	59%
Clarinetti in B.	26	45	8	8	58%
Corni in Es.	11	8	1	5	50%
Flauto.	22	0	9	7	41%

J.S. Bach: Mass in B Minor, BWV 232: V. Crucifixus

Samuel Ricke

4:08	Est. Play Time
53	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	20	1	7	4	100%
	22	0	7	5	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	20	1	7	4	100%
	22	0	7	5	100%
Continuo.	10	0	2	2	100%
Violone.	10	0	2	2	100%
Flauto traverso I.	20	0	7	1	92%
Flauto traverso II.	20	0	7	1	92%
Viola.	19	0	7	2	92%
Violino I.	20	0	7	2	92%
Violino II.	16	0	5	2	92%
Soprano II.	17	0	6	5	81%
Alto.	18	0	6	6	77%
Basso.	15	0	4	4	70%
Tenore.	14	0	5	5	68%

J.S. Bach: Mass in B Minor, BWV 232: IV. Dona Nobis Pacem

Samuel Ricke

5:55	Est. Play Time
46	Measures
	1,513Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	17	1	4	5	97%
	25	0	7	5	100%
View all 20 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	17	1	4	5	97%
	25	0	7	5	100%
Continuo.	24	1	7	5	100%
Fagotti.	24	1	7	5	100%
Tenore.	15	0	3	5	100%
Viola.	15	0	3	5	100%
Alto.	12	0	2	4	98%
Flauto traverso II. Oboe II.	11	0	2	5	98%
Oboe II.	11	0	2	5	98%
Violino II.	12	0	2	5	98%
Flauto traverso I. Oboe I.	14	0	3	4	93%
Oboe I.	14	0	3	4	93%
Soprano.	14	0	3	4	93%
Violino I.	14	0	3	4	93%
Violone.	22	0	7	5	93%
Basso.	19	0	6	4	91%
Tromba I.	9	0	1	5	43%
Tromba II.	9	0	1	5	30%
Timpani.	2	0	0	5	22%
Tromba III.	11	0	1	6	22%